Posts Tagged 'American Composers Forum'

New Links

I’ve added some new links in the right hand column. You’ll find one to the Catholic Worker under “Religion and Spirituality”, and to the American Composers Forum under “Resources”.

(AMC + MTC) + ACF = NMUSA + ACF

Big news this morning about the American Music Center, Meet the Composer and American Composers Forum amalgamating their services and activities. Read about it here.

Upcoming in Philly and NYC

- March 18 – soprano Mary MacKenzie (of SongFusion) performs with Shuffle Concert this Friday, March 18 at Baruch College. It’s a nice idea – the audience picks the program on the spot!

-March 19 and 20 – Orchestra 2001 plays Hindemith, Berio and Roberto Sierra. Julianne Baird, soprano; Marcantonio Barone, piano, Lori Barnett, cello are featured. The performance on the 19th is at the Trinity Center in Center City, Philadelphia, on the 20th at Swarthmore College.

- March 22 – the Philadelphia chapter of the American Composers Forum presents a webcast interview with George Crumb at 7 PM. Audio trailer here.

- March 29 – Penn Contemporary Music presents violinist Maria Bachman and pianist Jon Klibonoff at Penn’s Amado Recital Hall in Irvine Auditorium, 34th and Spruce Street. Program includes Glass: Sonata No. 1; Paul Moravec: Three Pieces; George Rochberg: Sonata; and the first performance of a new work by Penn faculty composer Jay Reise, The Flight of the Red Sea Swallow. The Glass and Moravec works are Philadelphia premieres. The late George Rochberg was, of course, a long-time Penn faculty member, and he wrote his sonata for Bachman.

- April 12 – looking a little ahead, the Curtis Symphony Orchestra will perform Messiaen’s Turangalila Symphony at the Kimmel Center, Christoph Eschenbach conducting, with Di Wu, piano and Thomas Bloch, ondes Martenot.

Soon in Philly and NYC

-The music of seven members of the Philadelphia chapter of the American Composers Forum – Efrain Amaya, Michael Djupstrom, Daniel Shapiro, Adam B. Silverman, Tony Solitro, Thomas Whitman, and Ya-Jhu Yang –  may be heard as part of a new music theater piece on the Decameron, tonight and through the weekend at the Prince Music Theater in Philadelphia.

- Network for New Music’s November 21 program is called Trade Winds from Tibet and presents music by Andrea Clearfield springing from her research gathering songs in Tibet; composers Eric Moe, Tony Solitro, Michael Djupstrom are also featured.

-The Contemporary Chamber Ensemble of SUNY Stony Brook presents its annual concert of premieres - Nov. 17 on campus, Nov, 18 at Merkin Concert Hall. New music by David Cutler, Leo Kraft, Laura Schwendinger, Daria Semegan and Ken Ueno.

- New York New Music Ensemble offers music of Eric Moe, Keeril Makan, Caroline Malonée, Kati Agócs, and Stephen Hartke, November 22 at Merkin.

Codex; New Voices

Upcoming concerts:

counter)induction presents “Codex” – according to their announcement:

“A concert that Borges might have planned: starting with a unique and mysterious collection of late-medieval polyphony from the codex Torino J.II.9, five composers engage in “speculative musicology” to create works in a musical tradition that never was. Composers Peter Gilbert, Christopher Jon Honett, Douglas Boyce, Kyle Bartlett and Ryan Streber imagine a centuries-long musical practice to arrive at five world premieres that are as evocative as they are unique.”

Works by Charles Halka and Christopher Rogerson round out the program, this Sunday, March 28 at the Tenri Institute. I know from hearing these players at Penn not too long ago that c)i is one of the strongest groups now active in NYC.

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The Philly chapter of the American Composers Forum presents “New Voices” – six world premieres by ACF composers working in the Philadelphia area – Ryan Beppel, David Carpenter, Heidi Jacob, Andy Laster, Ian Munro, and Kento Watanabe – as well as Mario Davidovsky’s Festino Notturno. The Argento Chamber Ensemble performs, at the Prince Music Theater, Saturday, April 3.

Da Capo da capo

You can hear last fall’s performance of my Dancepiece by the Da Capo Chamber Players at New Music Philadelphia, a webcast project of the American Composers Forum’s Philadelphia chapter. The Da Capo concert that includes Dancepiece, as well as works by Higdon, Greenbaum, Druckman, and Folio, will be heard Tuesday nights from 9 to 10:30 pm “for a limited time”, according to the site. (Not clear just how long is “limited”.) Program notes are available here.  While you are at the site, check out the other ACF webcasts, and the 24/7 stream of Philadelphia composers.


James Primosch, composer

When honoring him with its Goddard Lieberson Fellowship, the American Academy of Arts and Letters noted that "A rare economy of means and a strain of religious mysticism distinguish the music of James Primosch... Through articulate, transparent textures, he creates a wide range of musical emotion." Andrew Porter stated in The New Yorker that Primosch "scores with a sure, light hand" and critics for the New York Times, the Chicago Sun-Times, the Philadelphia Inquirer, and the Dallas Morning News have characterized his music as "impressive", "striking", "grandly romantic", "stunning" and "very approachable".

Primosch’s compositional voice encompasses a broad range of expressive types. His music can be intensely lyrical, as in the song cycle Holy the Firm or dazzlingly angular as in Secret Geometry for piano and electronic sound. His affection for jazz is reflected in works like the Piano Quintet, while his work as a church musician informs the many pieces in his catalog based on sacred songs or religious texts.

His music has been performed by the Chicago Symphony, the Los Angeles Philharmonic, the St. Paul Chamber Orchestra, the Lydian, Cavani, Cassatt, Ying, and Miami string quartets, the 21st Century Consort, the New York New Music Ensemble, Network for New Music, Dawn Upshaw, Lisa Saffer, Janice Felty, and Lambert Orkis. Twelve of his compositions have been recorded for Albany, Azica, Bard, Bridge, CRI, Centaur, Innova, and New World labels, with new discs of vocal and choral works planned.

David Patrick Stearns on “Songs for Adam”

If there's anything out there like Primosch's Songs of Adam, I haven't heard it - though the music wears its singularity lightly, with no need to express itself radically. It has a confidence of expression that comes of Primosch's having written a steady stream of song cycles since the late 1990s. Composers are still drawing legitimate inspiration from poets of the increasingly distant past, such as Walt Whitman, but Primosch pushes both himself and thus his listeners onto new ground with Susan Stewart's verse, which are called songs in their printed version because they suggest music, especially in the first poem, in which Adam is stuttering his way into existence.

Both poet and composer share an ability to contemplate how basic elements of existence might feel for the first time, and the duo know how to capture that in their respectively cultivated vocabularies, with an emotional rightness that never becomes too analytical.

In fact, Primosch enters the Korngold zone when describing Adam's intoxication with the word. Though words are set dramatically and in ways that are well written for the voice, the best moments are in the masterly orchestration, which gives an extra percussive spark to moments of discovery and unflinchingly confronts the agony of Adam's expulsion from Eden.

The pale strings capture his disappointment in the real world in an overall dramatic arc that's almost epic, going from the unimaginable (the beauty of Eden) to the unthinkable (the world's first children, Abel and Cain, and the world's first fratricide).
-Philadelphia Inquirer, May 2, 2010

Current Projects:

Working with audio wizard George Blood on editing recordings of "Holy the Firm", "From a Book of Hours", "Four Sacred Songs", and "Dark the Star" for eventual CD release. The performers are Susan Narucki, William Sharp, and the 21st Century Consort, directed by Christopher Kendall.

Two composition projects:
- a set of short piano pieces, commissioned by a consortium of pianists (currently 12) from across the United States.
- a cycle of songs for soprano and orchestra. Susan Stewart, whose poetry I have set in three previous pieces, has written new poems specifically for this project, to be called "A Sibyl".

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