Posts Tagged 'Dolce Suono'

Easter Tuesday Miscellany

After a break for the Easter Triduum, I am back with a few random bits:

- I found this quite moving. I wish more folks who do liturgy showed this kind of sensitivity and imagination.

- Have been listening to this. These are complete versions of the ballets. If you only know the suite, some of the parts you don’t know in Appalachian Spring are unexpectedly edgy. The complete Rodeo is not much different from the Four Episodes, and it is inspired throughout, unlike Billy the Kid, which has some vacant pages. Dance Panels sounds a little dated, unlike the earlier ballets.

-upcoming in Philly:

- Dolce Suono Ensemble presents an intriguing program at Trinity Center this Friday, April 13, including two works by Shulamit Ran. (Go here and scroll down.)

- Network for New Music offers a premiere by Matthew Greenbaum called Rope and Chasm – a work for video and soprano – Sunday, April 15 at 7:30 in Rock Hall at Temple University. A preview:

Upcoming in New York and Philly

- Sunday, January 29th, the League of Composers/ISCM celebrates the Cage centennial by presenting Eliza Garth playing the complete Sonatas and Interludes; Merkin Hall at 8:00.

- Dolce Suono offers a Shulamit Ran premiere and Pierrot Lunaire*, with guest Lucy Shelton on February 3 at Haverford College, February 5 at Trinity Center in Center City, Philadelphia, and February 6 at Symphony Space in NYC. Lucy’s Pierrot is the most spirited and colorful interpretation I have ever heard, and I have heard many great ones.

*) It’s also the centennial of Pierrot.

(Photo: Cage at work.)

For Gustav Mahler

- Mimi Stillman has posted video of Dolce Suono’s performance of Songs of a Wayfarer, with Eric Owens.

- Soho the Dog has an apropos comic strip.

- New York Philharmonic “Focus on Mahler” page.

- Mahler makes the Times Op-Ed page.

Dolce Suono, Mahler, and Schoenberg

A great concert tonight in Philly by Dolce Suono with the amazing Eric Owens as soloist in new works by David Ludwig, Stratis Minakakis (both Penn alums), Fang Man, Steve Stucky, and Steve Mackey. (The Steves were absent due to performances in Carnegie Hall (Stucky) and with the LA Phil (Mackey). Ah, to have such problems…) Owens also did the Mahler Songs of a Wayfarer in the Schoenberg arrangement, and the underappreciated pianist Charles Abramovic offered an elegant performance of the Schoenberg Op. 19 piano pieces (with some idiot’s cell phone ringing during the last delicate movement). This is the first concert in a project commemorating the 100th anniversary of Mahler’s death and the 60th anniversary of Schoenberg’s death, and the commissioned works all had threads of connection with those composers.

New site-ings and Dolce Suono

A new website for violinist extraordinaire Miranda Cuckson – check out the media page for lots of video and audio; and a newly revamped website, now with a blog, for composer extraordinaire Steve Mackey. A Mackey premiere here in Philly at the Dolce Suono concert this coming Wednesday, along with new pieces by Steven Stucky, Fang Man, Stratis Minakakis, and David Ludwig. Eric Owens will be the soloist.

Thursday night datebook

Events: very soon, soon, and not so soon:

-Bowerbird presents Eliane Radigue’s complete Naldjorlak cycle at Christ Church Neighborhood House, 20 North American Street in Philadelphia, 8 pm, Friday, September 24.

-Orchestra 2001 offers two works by Osvaldo Golijov, plus Enoch Arden by Richard Strauss, with Marina Sirtis as narrator; September 24 at Trinity Center, September 26 at Swarthmore College.

- Oboe goddess Peggy Pearson plays the Boston premiere of Stephen Jaffe’s Chamber Concerto “Singing Figures” at the first Winsor Music concert of the season. Sunday, October 3 at St. Paul’s Church, Brookline, 7:00 PM. (Check out the fine recording of the piece on Bridge.)

UPDATE: I just received an e-mail reporting that the October 3 Winsor Music  concert is cancelled, due to “an injury to a performer. She will be OK, but could not manage this week’s schedule of rehearsals. We regret any inconvenience caused by this cancellation.”

- Mimi Stillman’s Dolce Suono Ensemble premieres a new Richard Danielpour trio on October 22 at Trinity Center in Philadelphia. Read here (scroll down) about the group’s Mahler/Schoenberg project, coming next spring, and including commissioned works by Steven Stucky, Steven Mackey, Fang Man, David Ludwig, and Stratis Minakakis.

-21st Century Consort offers Barber, Copland, Jon Deak, Jordan Kuspa, and Mark Kuss at its season opener, October 23, Smithsonian American Art Museum in DC.


James Primosch, composer

When honoring him with its Goddard Lieberson Fellowship, the American Academy of Arts and Letters noted that "A rare economy of means and a strain of religious mysticism distinguish the music of James Primosch... Through articulate, transparent textures, he creates a wide range of musical emotion." Andrew Porter stated in The New Yorker that Primosch "scores with a sure, light hand" and critics for the New York Times, the Chicago Sun-Times, the Philadelphia Inquirer, and the Dallas Morning News have characterized his music as "impressive", "striking", "grandly romantic", "stunning" and "very approachable".

Primosch’s compositional voice encompasses a broad range of expressive types. His music can be intensely lyrical, as in the song cycle Holy the Firm or dazzlingly angular as in Secret Geometry for piano and electronic sound. His affection for jazz is reflected in works like the Piano Quintet, while his work as a church musician informs the many pieces in his catalog based on sacred songs or religious texts.

His music has been performed by the Chicago Symphony, the Los Angeles Philharmonic, the St. Paul Chamber Orchestra, the Lydian, Cavani, Cassatt, Ying, and Miami string quartets, the 21st Century Consort, the New York New Music Ensemble, Network for New Music, Dawn Upshaw, Lisa Saffer, Janice Felty, and Lambert Orkis. Twelve of his compositions have been recorded for Albany, Azica, Bard, Bridge, CRI, Centaur, Innova, and New World labels, with new discs of vocal and choral works planned.

Current Projects:

Working with audio wizard George Blood on editing recordings of "Holy the Firm", "From a Book of Hours", "Four Sacred Songs", and "Dark the Star" for eventual CD release. The performers are Susan Narucki, William Sharp, and the 21st Century Consort, directed by Christopher Kendall.

Two composition projects:
- a cycle of songs for soprano and orchestra. Susan Stewart, whose poetry I have set in three previous pieces, has written new poems specifically for this project, to be called "A Sibyl".
- an oboe quartet for Peggy Pearson, commissioned by Winsor Music.

David Patrick Stearns on “Songs for Adam”

If there's anything out there like Primosch's Songs of Adam, I haven't heard it - though the music wears its singularity lightly, with no need to express itself radically. It has a confidence of expression that comes of Primosch's having written a steady stream of song cycles since the late 1990s. Composers are still drawing legitimate inspiration from poets of the increasingly distant past, such as Walt Whitman, but Primosch pushes both himself and thus his listeners onto new ground with Susan Stewart's verse, which are called songs in their printed version because they suggest music, especially in the first poem, in which Adam is stuttering his way into existence.

Both poet and composer share an ability to contemplate how basic elements of existence might feel for the first time, and the duo know how to capture that in their respectively cultivated vocabularies, with an emotional rightness that never becomes too analytical.

In fact, Primosch enters the Korngold zone when describing Adam's intoxication with the word. Though words are set dramatically and in ways that are well written for the voice, the best moments are in the masterly orchestration, which gives an extra percussive spark to moments of discovery and unflinchingly confronts the agony of Adam's expulsion from Eden.

The pale strings capture his disappointment in the real world in an overall dramatic arc that's almost epic, going from the unimaginable (the beauty of Eden) to the unthinkable (the world's first children, Abel and Cain, and the world's first fratricide).
-Philadelphia Inquirer, May 2, 2010

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 15 other followers

Archives


Follow

Get every new post delivered to your Inbox.

%d bloggers like this: